A Record Amount of Visual Approaches

I’ve been taught that there is a limit to how many visual approaches you can successfully incorporate into a project, and I have definitely exceeded that limit. Today I counted how many different approaches I have included in Tsunagari, as well as how many of each of those are present. In this case, I think the excessive number of elements actually adds to the chaos of the narrative, and reflects my mentality throughout this period of separation. I have really enjoyed the looseness of this project, in comparison to the very precise, specific commercial work that I have produced in the past.